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The Last King of Scotland or the Last N----r on Earth?The Ethics of Race on Film
aesthetics critical race theory criticism
2009/8/31
This paper undertakes four tasks. It examines a tradition of cinematic and narrative representation that we might call “the narrative of moral gentrification.” It insists on the importance of excavati...
In this essay, we explore a non-standard model of the unconscious, what Gilles Deleuze and Félix Guattari call the “productive unconscious,” to correct the too-often reductive tendencies of psychoanal...
Multiple Inheritance and Film Identity: A Reply to Dilworth
film ontology of film types tokens
2008/11/6
I argue that Dilworth has not shown the type / token theory of film identity to be non-viable, since there is no reason to think that a single object cannot be a token of two types. Even if we assume...
Chemists and their Craft in Fiction Film
public perception of science chemistry in movies alchemy mad scientist
2008/4/3
The paper presents results from a quantitative analysis of some 200 fiction films. Chemistry is the iconic discipline of the ‘mad scientist’ reflecting the alchemical imagery that was prevalent until ...