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Sonata deformation theory constitutes possibly the most substantial recent contribution to the analytical literature dealing with the sonata-type repertoire of the later nineteenth and early twentieth...
Excerpt es into his pieces. In the "Concord," he attempted to project, within the music, the 19th century philosophical ideas of the American Transcendentalists, who obviously had a great impact on ...
To the extent that it represents the actual temporal event-series of a composition, transformational theory can reveal some interesting correlations between the formal functions of sections and the tr...
Feeling that the drudgery of teaching work had stifled the talents of a creative genius, Scriabin left his post at the Moscow Conservatoire in 1903, devoting himself entirely to composition. Many idea...
The composer composes. The insertion of fingering into a musical score is traditionally the concern of the publisher who, occupying the twilight zone between art and commerce, will call upon the exper...
A process akin to Schoenberg's "musical idea" accounts to a large degree for motivic coherence in the first movement of Beethoven's Piano Sonata Op. 10, No. 1. My article illustrates this process by m...
[1] Nicholas Marston's ten-year-old article in Nineteenth-Century Music on Beethoven's sketches for the Piano Sonata op. 109 has found its logical successor in Marston's new book on the same sonata in...
If Grazyna Bacewicz's music is so "conservative" and "neoclassical," why is it so difficult to define the beginning and ending of the Development in one of her best-known works, the first movement ...

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