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"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann
Harald Krebs Robert Schumann metrical dissonance rhythm and meter
2010/3/29
[0.1] In Schumann's Kreisleriana, I actually hear no note, no theme, no contour, no grammar, no meaning, nothing which would permit me to reconstruct an intelligible structure of the work. No, what I ...
From Bananas to Buttocks: The Latina Body in Popular Film and Culture
From Bananas to Buttocks The Latina Body in Popular Film and Culture
2009/12/7
We need only think of the bespectacled, bushy-browed and braces-wearing Betty Suarez in ABC's Ugly Betty (Fernando Gaitán, 2006-), or the highly digitalised, scantily clad torsos of Jessica Alba and R...
Open Wounds:Body and Image in Jean-Luc Nancy and Claire Denis
Open Wounds Body Image Jean-Luc Nancy Claire Denis
2009/11/24
Body and image are crucial to the elaboration of both Jean-Luc Nancy’s philosophy and
Claire Denis’s work in cinema. Nancy’s short book about the body, Corpus (2006 [2000]),
though it may initially ...
![](http://www.firstlight.cn/upload/imgfile/200911/20/20091120102333.jpg)
Ford Madox Brown's The Body of Harold: Representing England at Mid-Century(图)
Ford Madox Brown The Body of Harold England Mid-Century
2009/11/20
Ford Madox Brown is best known for three paintings begun in the early 1850s: Work (1852–65, fig. 1), An English Autumn Afternoon (1852–53, fig. 2), and The Last of England (1852–55, fig. 3). The three...
‘The White Body’
The White Body Ea Sola
2009/7/27
Ea Sola’s The White Body is a new 80 minute work jointly commissioned by the HK Arts Festival and bodies in France, Holland and New Zealand.
A Vietnamese choreographer based in France, Sola is known...
Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud
Strobe Light Antonin Artaud Body Technology
2009/7/16
'I do not work in the domain of any universe whatsoever, I work within unique duration.' (Artaud, 1976: 120). (1)
'In this Theatre, lets undo space.' (Artaud, 1978: 252)
Antonin Artaud's docum...
Interaction, Reaction and Performance:The human body tracking project
Interaction Reaction Performance
2009/7/16
As a result of new technological advancements in performance practice, I am arguing that new liminal spaces exist where there is a potential for a reconfiguration of creativity and experimentatio...
Body-screenographies, jumping back to leap forward
Body-screenographies choreographic research choreograph
2009/7/15
Whether it is of bodies, light, sound, natural or simulated forces, movement has been and continues to be, my subject of choreographic research [1]. Today, this research results in artistic projects w...
Intimate Inter-actions:Returning to the Body in One to One Performance
Intimate Inter-actions One Performance the Body
2009/7/15
One body to an-other. Spanning time, sharing space, marking place, blending breath, sensing touch. An emerging inter-face addresses both parties in this mise-en-scene of togetherness. The function and...
The Body in Contemporary Performance:a comparative and personal response to Nigel Jamieson's Honour Bound and Version 1.0's Wages of Spin
Contemporary Performance Nigel Jamieson Honour Bound
2009/7/15
Many contemporary performances were staged throughout Sydney in 2006. This paper concentrates on two of these that I saw in close succession: Nigel Jamieson’s Honour Bound, which I saw at the Sydney O...
Exploring Relationships between the Kinematics of a Singer’s Body Movement and the Quality of Their Voice
Embodied cognition motion-capture singing computational analysis
2008/10/30
Background in music psychology. Physical movement plays an important role in musical
perception and production. It is generally agreed among professional singers and vocal
teachers, for example, tha...
Tripping On Wires: The Wireless Body: Who is Improvising?
Tripping On Wires Wireless Body wireless future
2008/10/29
The author has been tripping on wires onstage and offstage for half a century of technological change in music. She has observed the trajectory of the disembodiment of music from analog instruments to...
Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space
metaphor Rameau analysis harmonic theory Mark Johnson George Lakoff cognitive science Roger Scruton tonal motion linguistic theory embodied meaning image schema mental representation discourse
2010/3/24
Studies by George Lakoff and Mark Johnson in the field of cognitive linguistics give rise to a theory of meaning that bestows a central role on metaphorical thinking and the body. This essay explores ...
Beyond Words: The Moving Body as a Tool for Musical Understanding
Eurhythmics body movement pedagogy aural skills kinesthesia
2010/3/29
Instructors of aural skills traditionally rely upon singing and dictation, and intoning and tapping rhythms for teaching students. This study focuses on an approach that engages the moving body (drawn...