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作为澳大利亚文化代言人的彼得·凯里,借《魔术师》之言描绘了一个充满谎言与牢笼的世界,透视这一世界,我们看到了当代澳大利亚人建构独立文化身份的历史负荷与现实困境。文章以后殖民主义为语境,结合新历史主义文论,解读“魔术师”的谎言故事所彰显的政治隐喻和美学价值。
Of Dragons and Devils:Chinese-Australian Life Stories
Australian Literature Dragons evils Life Stories
2008/10/27
The collaborative life story, and its close generic relative, testimonial writing, occupy
hybrid positions between biography and autobiography, between orality and writing,
between literature and va...
“There Are French Novels And There Are French Novels”: Charles Reade and the “Other” Sources of Marcus Clarke’s His Natural Life
Australian Literature French Novels Natural Life
2008/10/27
This article elucidates the topicality of Marcus Clarke’s serialized novel His Natural Life
by establishing Clarke’s debts to Charles Reade.1 Turning attention to Clarke’s “borrow...
Killing the Narrator:National Differences in Adaptations Robbery Under Arms
Australian Literature Adaptations Robbery National Differences
2008/10/27
Rolf Boldrewood’s bushranging novel Robbery Under Arms is among the handful of
Australian texts to have been repeatedly adapted for stage and screen.1 The very popular
stage melodrama version b...
'Good Reading' in the Australian Women's Weekly 1933-1970
Australian Literature Australian Women's Weekly Good Reading
2008/10/27
The Australian Women’s Weekly has attracted attention in recent years from many different
quarters; from historians of gender and consumerism in post-war Australia (see
Sheridan); and from stud...
Australian Writing, Deep Ecology and Julia Leigh's The Hunter
Australian Literature Australian Writing The Hunter Deep Ecology
2008/10/27
There was a mixed reaction to the publication of Julia Leigh’s The Hunter in 1999. Her
novel about an agent who goes in search of the thylacine (Tasmanian Tiger) to harvest
its genetic informat...
Bohemia and the Dream-life of the Colonial City
Australian Literature Bohemia Colonial City Dream-life
2008/10/27
Nothing evokes the pleasure of the nineteenth-century city as directly as the term
“Bohemia”. By the time Marcus Clarke arrived in Melbourne in 1863, the pleasure of
Bohemia, merging econo...
In Australian fictions, “the tropics” feature as paradisiacal retreats, mosquito-infested
war zones, touristic destinations or sites-of-last-resort on terminal pathways north.
But they are also home...
Writing in “A Fairy Story Landscape”:Fairy Tales and Contemporary Australian Fiction
Australian Literature Fairy Story Landscape Fiction Fairy Tales
2008/10/24
Fairy tales are everywhere in Australian fiction. Some of the most beloved characters
in Australian literature are compared by their authors to fairy-tale heroes and
heroines. Murray Bail has writte...
“The Colour of Your Moustache” or Have Feminists Always Been Humourless?
Australian Literature Moustache Humourless
2008/10/24
For many, the feminists of the “Woman Movement” of the late nineteenth and
early twentieth centuries appeared as deadly as a Gorgon. They were “ladies” in
hats said Germaine Greer, dismissively (13)...
Constructing Aboriginality:Archibald Meston’s Literary Journalism, 1870–1924
Australian Literature Constructing Aboriginality Literary Journalism
2008/10/24
Archibald Meston’s political appointments and Government-sponsored reports,
two of which provided a basis for the ironically entitled Aboriginal Protection Act
of 1897, (Queensland Aboriginals and “...
Gertrude and Elizabeth:Letters, Lives and Fictions
Australian Literature Lives Letters Fictions
2008/10/24
This paper was first given as the Dorothy Green lecture at the Conference of the
Association for the Study of Australian Literature at James Cook University, Cairns,
in July 2002. That ASAL has chos...
Christina Stead’s novels have been translated into a number of languages, mainly
European ones. I know of twelve such translations, five into Italian, three into
French, two into German, and one int...
There has been no scholarly attention directed to Christina Stead’s representation
in her novels of China and the Chinese.1 Indeed, the poet and scholar Ouyang
Yu, translator of The Man Who Loved Ch...
Christina Stead’s Workshop in the Novel: How to Write a “Novel of Strife”
Australian Literature Novel of Strife Workshop
2008/10/22
Christina Stead was a Marxist who, at times, publicly endorsed Stalinist views on
art. Yet her novels do not conform to the rigid paradigms of socialist realism, and
they often criticize Marxist cha...