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A Natural History of Southwestern Ontario by Christopher Dewdney is a scientific catalogue that itemizes erotic details in a natural landscape, the entire text presenting itself as a serialized list s...
Phyllis Webb: The Voice That Breaks     Breaks  Voice  Phyllis Webb       2014/1/18
The body of Phyllis Webb's poetry aptly illustrates the transition of a woman poet from god-centered reverence toward self-realization and freedom both as woman and writer. Webb challenges T.S. Eliot'...
A few days before Professor Bentley invited me to review this book, a sales representative from Oxford University Press had urged me to adopt it as a set-text in my Canadian Poetry course. Moreover, I...
The vast range of allusions in A.M. Klein's "Portrait of the Poet as Landscape" reveals Klein as a poet clearly engaged with literary history and the modern poet's place within the literary tradition....
Let me say at the outset how pleased and honoured I am to be giving a keynote address at this conference on Leonard Cohen. As I will be mentioning shortly, Cohen's work has suffered from a scandalous...
Leonard Cohen's novel Beautiful Losers has attracted comment as an exemplary vision of the drug inspired pop culture of the 'sixties; as a metafictional experiment in which the author self-consciously...
The telephone, hitherto so foreboding and powerful, was our friend! It was the agent of some benign electronic deity, and we wanted to praise it. I suppose that certain primitive bird and snake danc...
Let's start with F's "ordinary eternal machinery," which like Deleuze and Guattari's "desiring machines," conceives of the body as a multiple symbolic generator, continually pumping out desire in the ...
A Golden Hive     A Golden Hive  view  Canadianist       2014/1/18
One of my tasks as a Canadianist is the reviewing of books in my field, and as a feminist scholar, I'm usually asked to review works by and about women. But every so often I'm called upon to review a ...
In the tradition of the pastoral poet-lovers of sixteenth- and seventeenth century English verse, Leonard Cohen uses Woman as a means to explore his own exquisitely tortured self. Woman is Mistress; ...
Add to that voice — and its conspicuous hyperbole — the thumping insistence of a barrel-organ oom-pa-pa background, and you wonder what you might salvage, if there's anything to remain after the acid ...
While Leonard Cohen's Beautiful Losers is widely seen as Canada's first postmodern novel (Hutcheon 14, 26-44; Bowering 136-37), the postmodern qualities of Cohen's poetry, and specifically Flowers for...
Cohen's Noos     Cohen's Noos  noumenous  Hermes       2014/1/18
Every morning, perhaps during breakfast, the muses dance for Zeus' noos, or to his noos. The noos they dance is the "news." They tell Zeus what's going on down there: what wild beast Nemesis has tra...
Writing the biography of a living person is very much like going on a first date: there is the nervousness of the first call; the agony over what to say; the anxiety over what to do. Then, there is t...
After a considerable silence, Leonard Cohen reappeared, in '988, with a record called I'm Your Man. Jennifer Warnes had prepared the way with her beautiful, polished renderings of Cohen's songs on Fa...

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