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When entering task performance contexts we generally have expectations about both the task and how well we will perform on it. When those expectations go unmet, we experience psychological discomfort ...
Many psychologists think that there are few basic emotions, and most emotions are combinations of these few. Here we advance a hypothesis that the number of principally different emotions is near infi...
This study aimed to examine the consonance and dissonance between prospective teachers’ values and practices in terms of their conceptions about teaching/learning and conceptions about assessment, as ...
[0.1] In Schumann's Kreisleriana, I actually hear no note, no theme, no contour, no grammar, no meaning, nothing which would permit me to reconstruct an intelligible structure of the work. No, what I ...
Yuriko Saito recently published an essay in this journal, "Machines in the Ocean: The Aesthetics of Wind Farms" (Contemporary Aesthetics, 2 (2004)). The bulk of her essay is a search for the right aes...
This article seeks to connect two seemingly distinct phenomena. Labour disputes in the nonprofit sector and the pressure nonprofits have undergone to become more economically and operationally efficie...
Much of Beethoven’s music—especially that of the late period—demands that the performer follow interpretive markings that seem to be musically counterintuitive. Conflict between the competing desires ...
Mashinter’s (2006) mathematical model of sensory dissonance neglects the dependence of roughness on waveform, the role of masking, the distribution of roughness across critical bands, the possible p...
The commentary asserts the importance of conducting additional research on additive dissonance, and points to the need for terminological precision in discussions of sensory versus systemic (i.e. le...
The phenomena of consonance and dissonance are thought to involve both learned and innate components. Work by Greenwood (1961) and Plomp and Levelt (1965) established that an aspect of dissonance pe...
This paper considers some of the issues involved in the analysis of rhythm and meter in electronic dance music. It begins by considering metrical dissonance and ambiguity within the context of a layer...
This article considers recent books on twentieth-century music by Lester (1989), Kostka (1990), Straus (1990), and Morgan (1991) and their exclusion of women composers' scores. Three hypotheses for th...

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