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Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis
paradigmatic analysis computer-aided analysis history of music theory musical semiotics multimedia
2010/3/24
Interested in what a contemporary practice of paradigmatic analysis might look like, the authors describe their research project aimed at studying past practices as well as conceiving of future possib...
Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music
Reynolds Easley music allusion motives nineteenth-century borrowing quotation
2010/3/24
[1] Christopher Alan Reynolds’s Motives for Allusion has received wide attention from reviewers who often seem to be as anxious to recount their own preoccupations with the topic of musical allusion a...
“Mode versus Ficta”in context
Bent counterpoint ficta Gaffurius harmony Josquin Judd ode Obrecht recta Tinctoris
2010/4/21
Following my discussion of an extract from Josquin's Ave Maria,{1} Margaret Bent's subsequent Commentary{2} reiterated a criticism originally made by Cristle Collins Judd {3} that my linking of the tw...
Diatonic ficta revisited: Josquin's Ave Maria in Context
Wibberley counterpoint ficta diatonic accidentals mode notation hexachords Josquin Obrecht
2010/4/21
Roger Wibberley in MTO 2.5 has criticized a version I published of the sequence from Josquin'sAve Maria, on grounds that it flouts Glarean's modal classification. Cristle Collins Judd has already chal...
The Tristan Chord in Historical Context: A Response to John Rothgeb（图）
harmony recitative intertextuality Tannhaeuser Purcell Bach
2010/4/22
John Rothgeb's analysis of the "Tristan chord" engages a
large intertextual network, stretching back to the Baroque and
centering on recitative. Examples of a specific figure of recitative,
usuall...
Code and Context: A Commentary on Roeder's Article
code communication context semiotics sign supplement
2010/4/22
[1] Did a deconstruction, not destruction (!), of the sign never
take place? Is the resurrection of a certain (French) semiology
inevitable? Is the tension between a Saussurean-Hjelmslevian-lin...