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Don’t Smile for the Camera: Black Power, Para-Proxemics and Prolepsis in Print Ads for Hip-Hop Clothing
Black Power Para-Proxemics Prolepsis
2014/10/20
While much has been written on marketing to children, there remains a curious gap in the literature concerning marketing through children. This study considers print ads for three brands of hip-hop cl...
The Black Muse：Polish Hip-Hop as the Voice of “New Others” in the Post-Socialist Transition
Polish hip− hop The Black Muse Post-Socialist Transition
2009/6/16
Polish hip−hop, with its origins and evolution, confirms the link between hip−hop and social exclusion. Its
history coincides with the transition from socialism to democracy and the free&...
中国的HIP－HOP文化
HIP－HOP HIP－HOP文化街舞
2008/6/20
在中国开放门户这几十年来，从文化上我们所经历的更多的是形式的更叠，所有的文化受人尊崇都或多或少和潮流有关，“意识流”、“重金属”、“抽象派”“朋克”，包括现在的HIP－HOP，做为一种黑人的传统音乐，在一时它能让人感到快感，但是因为没有坚实的、可以包容它的文化底蕴所支撑，它的迅速没落也是正常的，只有当两种文化真正交汇交融，形成一种新的胎衣并把它做为一种直正意义上的新文化孕育出来时才更有魅力。
Hip-hop film director to discuss documentary at University of Kansas screening March 26
Hip-hop film documentary
2007/3/9
March 6, 2007，LAWRENCE — University of Kansas graduate students will join award-winning film director Byron Hurt for a panel discussion following a free and public screening of his documentary “Hip-Ho...