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It is now widely acknowledged and accepted today that in the realm of his sacred music J. S. Bach was deeply influenced not only by the liturgy of the Lutheran Church but also by the writings of Marti...
No other choreographer in the modern ballet of the 20th century was able to convey real life drama through dance better than the British-born Antony Tudor. A keen observer of human behavior, Tudor u...
Whether it’s the size or the popularity of watching aspiring dancers, San Francisco Ballet’s school engaged the Novellus Theater at Yerba Buena Gardens for three nights, May 20-22; on the evening of M...
ABT's been playing mix-and-match games with its stars throughout this weeklong bout of its Balanchine/Tchaikovsky Spectaculars. For better or worse, I'm seeing only two, with last Wednesday night's be...
I spent a lot of time thinking about feet at American Ballet Theatre's Balanchine/Tchaikovsky program at the Met last night. Oh, and also about Balanchine and Tchaikovsky. It's nice to see ABT back, a...
Honestly, until I saw Whelan dance this ballet with the incomparable and greatly missed Peter Boal, I never appreciated what a magnificent ballet Robbins made. Boal was a very cerebral dreamer, and Wh...
Photo Paul Kolnik Music Piano Concerto No. 3, Op. 75 (1892) by Peter Ilyitch Tschaikovsky Choreography George Balanchine ? The George Balanchine Trust Prem...
Photo uncredited Music Introduction and Allegro for Harp, String Quartet, Flute, Clarinet (1905) by Maurice Ravel Choreography Jerome Robbins Premiere ...

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